By Fuyutsuki Koki and Masami. Released in Japan as “Kanpeki Sugite Kawaige ga Nai to Konyaku Haki Sareta Seijo wa Ringoku ni Urareru” by Overlap Novels f. Released in North America by Airship. Translated by Tiffany Lim. Adapted by Shaenon K. Garrity.
This one really took me by surprise. The first, oh, forty pages or so read like Saint by Numbers, frankly. We’ve read this story before. Our heroine, who is fantastic at magic and smart and pretty but perhaps overly serious, is shunned by her fiance the prince, and exiled from the kingdom – in this case, literally sold to another kingdom for cash. When she arrives at her new homeland, she’s rather stunned to find that everyone there is treating her nicely, happy to see her, and urging her to take breaks and enjoy herself. Something that, well, she’s not particularly good at, as she grew up as the abused eldest daughter you almost always see in these sorts of books. We also hear about the youngest daughter, also a Saint, who supposedly loves her sister, but is now going to end up with the prince instead. Uh uh, I thought. Cue evil sister. Oh, how delightfully wrong I was.
For the summary of the start of the book, see above. Philia is somewhat horrified by this, but having been raised since birth to have almost no sense of self-worth, she quietly goes along with it. That said, Philia is only one of the two protagonists in this book. Back in her old country, Mia, the younger sister, is equally horrified to hear that (according to everyone else, that is) Philia chose to run off to another country, leaving Mia as the sole Saint. What’s more, after a brief period of being devastated by his fiancee leaving him that lasts about three days, the prince is now proposing to Mia instead. She suspects something is rotten in the state of Denmark, and decides to play detective to figure out what’s really going on. (Hint: treason.)
So yes, the big reveal is that Mia is not only the co-protagonist but just as likeable as her sister. Mia was raised in a family of love, separated from her older sister (we find out why later), and is relatively well-adjusted, so is definitely the one to be trying to investigate the potential multiple assassinations happening around her. Philia, meanwhile, is “dull, unfriendly, and far too serious”, according to the prince, and he’s not really far off. She was raised in a household without love, her education ranged from strict to ludicrous, and basic human decency baffles her, to the point where she’s poleaxed when people tell her not to immediately go out and save the country but take a day to rest. And honestly, for the best she didn’t, as it turns out Philia is better suited to save the entire WORLD.
This isn’t perfect – as always with this genre, the evil nobles are cartoonishly evil, and Philia’s two potential romantic interests seem to be there only because this genre always has two princes both in love with the Saint. But its main conceit is terrific (it’s getting an anime in April), and even though it seemingly wrapped everything up in the first book, I’ll read Book 2, which doubtless will focus more on those romantic loose ends.
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