By Mitsuru Inoue and Suzuno. Released in Japan as “Isekai Teni Shite Kyoushi ni Natta ga, Majo to Osorerarete Iru Ken” by Earth Star Luna. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.
The running gag of this volume, and indeed this series, is that people meet Aoi, underestimate her because she’s young and small, get their asses handed to them (physically or mentally), and immediately become her minions and/or supporters. Not the first time I’ve read this sort of plot, and it can be funny provided there’s more to it than that. There’s a BIT more. Aoi is absolutely dedicated to advancing sorcery throughout this world (theoretically so she can return to Japan, but I get the feeling that’s not happening), and does not actually care about all of the political mess and possible wars she may cause along the war. In fact, it’s brought up that if two countries *do* go to war, Aoi can probably just, y’know, stop them. You will be dragged kicking and screaming into the modern era of magic. And believe me, some folks here are kicking and screaming. Because they’re being used as test subjects.
This volume is essentially divided into two. In the shorter part, Aoi wonders why she’s seeing fewer students, and discovers they’re being lured into a gambling den run by a crime syndicate. With the “help” of Prince Rox and his men (but pretty much just taking out everyone on her own), Aoi reforms all the crime syndicates in the city to be good businesses from now on. In the longer second half, Aoi and her posse of important supporting characters go to the Holy Maple Leaf Empire, as part of an exchange to learn about their healing magic. What we end up learning is that their healing magic is impressive, but Aoi’s “literally everything” magic is out of this world. Which is a problem, as this Empire believes magic has reached its final form, and does not need any new research. She’ll fix that.
This is another one of those light novels where you get a chunk of the book from the main character’s perspective, and then switch to someone else to get their view of things. While that can normally be a bit exhausting, I’d suggest it’s welcome here, simply as Aoi’s deadpan, emotionless point of view can be a bit off-putting. At one point we discover, as I noted above, that the Empire tests its holy powers on either mortally wounded adventurers, or criminals. We are treated to a gore-filled hospital with the screaming of patients, and everyone else looks sick, but we’re in Aoi’s POV, so she’s just like “Yup. Well, anyway”. Even when she’s threatened by a knight of the crown, and taken before the Emperor for having gone way beyond what she was permitted to do, her response is “so what?”. It would take a lot to make Aoi really angry, I think. If only we had a bullied student in the cast who’s there to suffer… oh, good news for the next volume!
I’m still enjoying this, but I do wonder how fresh it’s going to feel several volumes down the line (it’s at 9+ volumes in Japan). For those who like people who kick ass while barely cracking a smile.
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