By Izumi Okido and Jyun Hayase. Released in Japan as “Rekishi ni Nokoru Akujo ni Naru zo: Akuyaku Reijō ni Naru hodo Ōji no Dekiai wa Kasoku suru yō desu!” by B’s-LOG Bunko. Released in North America by Yen On. Translated by Sarah Moon.
She’s not in this volume much, but I will admit I have started to wonder what this series is going to do with Liz. For the most part, these sorts of “the good villainess is balanced by a bad heroine” style books tend to overbalance the heroine into being genuinely evil, or incredibly incompetent, etc. It’s easy to see what’s going to happen to them. Liz is not quite like those in that she’s charming people into loving her, but not deliberately, and it’s basically causing folks to affirm her own misplaced idealism. Unfortunately for her, the rest of the cast really hate her, and I’m fairly sure that exile is probably going to be her best outcome here, and genuinely snapping may still be on the menu. Sometimes you’re just the wrong archetype in a book that’s about someone else. Speaking of what someone else, let’s check in on Alicia.
Alicia wants to investigate Laval, but she can’t simply take a field trip into another country, especially when their own country is chock full of magic users and Laval doesn’t have any of them. So she’s going to have to figure something out. Fortunately for her, Duke suddenly loses all his memories of her, and everyone around says that she’s the one who did it – something which she leans into almost on impulse, because she literally cannot resist trying to be a drama queen. Hey, presto, she’s exiled to Laval so quickly that you’d almost think that it was a deliberately ploy on the part of Duke. She arrives disguising herself as a boy and quickly ends up part of the knights who work for the second prince, who is trying to find an achievement that will let him take the throne. An achievement that may need… magic.
It is sometimes interesting seeing the narrative through the eyes of Alicia, who is living it as if she’s the protagonist of a light novel and to whom dramatic events constantly happen, and the rest of the cast, who are actually part of reality and are forced to deal with the darker bits that Alicia touches upon but rarely stays long. The reunion of the king and his brother is agonizingly awkward, especially when you consider that a lot of the cause of their strife is, well, still around. Alicia may be delighted to be exiled, but for Gill it’s a nightmare, and to make matters worse he’s at Duke’s side through most of the book, so he can’t even pine properly for the girl he loves because the much better love interest is next to him. As for Alicia herself, we’re rapidly finding out that she may want to be a villainess, and has been told to play a villainess, but she has a much more important hidden role. Which, well, Liz is not gonna like.
This isn’t top tier villainess, but it’s solid, and fans of the genre should be quite pleased.
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