By Kotoko and Ataka. Released in Japan as “Hakyoku Yotei no Akujo no Hazu ga, Reitetsu Koushaku-sama ga Wakaretekuremasen!” by B’s-Log Bunko. Released in North America by Cross Infinite World. Translated by Dawson Chen.
I’ve often wondered what would happen if I ended up in one of these “oh no, I’m dead and now in the world of my favorite game” books. Well, OK, I haven’t wondered it often. But I wondered it as I was reading this latest version of it. It’s all very well and good for the reader to think “well, certainly I would not be so wedded to the plot of the book that I would lose all common sense”. But we’re not stuck in a world that will be going to war unless we make the right decisions. Or in this case the wrong decisions. It’s a lot to ask a young woman who’s already dealing with the fact that she’s now stinking rich and ludicrously evil. If I were in a similar position, would I do my best to forget about the book and just live life as it comes? Would I slavishly adhere to the books events no matter what? Or would I break down in front of my favorite character and start eating weeds?
Our heroine was a poor salarywoman who worked herself to the bone to earn money for her equally poor parents, scrimping and saving. Then she wakes up as Grace Saintsbury, the villainess from one of her favorite books. And what a villainess! Grace is obnoxious, spends money like water, and breaks up with lovers routinely. She’s bedridden as her most recent break-up caused her to be pushed off a balcony… and now she has her memories from Japan. Grace knows that in this world, there will be a war unless Zane, the grief-stricken son of a duke, ends up involved with Charlotte, the story’s heroine. The impetus for them getting together is Grace breaking up with him in a horrible way. She’s hardly the villainous type now. Also, she’s not even dating Zane yet. But we’ve gotta keep that plot on the rails!
There’s a rather pointless prologue set, presumably, after this first book ends, that shows us that we’re meant to think of this as a comedy. It might be there because while the bulk of this book mostly consists of Grace being really nice and sweet to everyone with the occasional “wait, I have to be arrogant” sidestep, there are a few very grim scenes as the actual novel tries to exert its plot. The reason the grief-stricken duke’s son has grief is the horrible murder of his younger sister… who Grace realizes is going to be murdered THAT NIGHT, and whom she only just manages to rescue. (When asked why she rescued a woman she’s never met from a psycho with a sword, we get Grace eating weeds out of pure desperation). Towards the end of the book we get a child slavery ring as well, which it is implied would have happened if Grace had not suddenly become a philanthropist who wants to start a soup kitchen. It’s still MOSTLY a comedy, but the pull from darkness is what makes it interesting.
This has a second book, which presumably will continue to have Grace run from her increasingly infatuated boyfriend. I hope it keeps the dark stuff as well.
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