By Masekinokatasa and Kaito Shinobu. Released in Japan as “Tenseishitara Koutei deshita: Umarenagara no Koutei wa Konosaki Ikinokoreru ka?” by TO Books. Released in North America by J-Novel Club. Translated by Jason Li.
I appreciate that even now that we’ve had our coup and Carmine is allowed to not act like an idiot all the time, the best scenes in the book are still either him trying to be very clever and then realizing everyone was already way ahead of him, or him realizing that he’s kind of screwed up but can’t say anything about it. The latter is possibly the most darkly funny moment of the book, when his imprisoned mother pushes her lover out of the tower to his death, and everyone wonders why there were no bars in the window, and Carmine quietly realizes he removed them when it was Vera-Sylvie’s tower and forgot to replace them. OOPS. More awesomely, when Carmine points out (and you can see his logic) that he has to be on the battlefield leading the charge, he immediately gets some extra help he really does not want, because they know what he’s like, and “I might need to sacrifice myself” would be on the table unless they take it off.
The entire volume consists of the aftermath of Carmine taking power and trying to consolidate it, figure out who he can trust and who he has to execute, and preparing for war, as the sons of the folks he just murdered are declaring themselves independent and amassing armies. He can’t even really trust his own allies – his spymaster, at one point, deliberately makes himself less trustworthy to remind Carmine not to trust even those he’s closest to 100%. He’s always going to be the Emperor, which means he’s always going to be at risk of getting killed. His biggest concern besides allies is money and weapons, as well as an army to use those weapons. Money is the biggest worry, which is why he has to try to make a deal with the largest merchant company in the world right now. Fortunately, she, um, comes to him and offers a great deal? Not suspicious at all!
The most interesting part of the book was probably the meeting between Carmine and Hilaire Fechner, the head of the Golden Sheep Trading Company. Her behavior throughout the exchange, and even the interior art, makes you think of her as basically Mikuru from Haruhi, the sort who’s always crying and apologizing – she literally comes in apologizing in such a Japanese style Carmine suspects she too is reincarnated from Japan. Then of course we see her making deals and revealing secrets that essentially end up with everything going the way she wanted. You would expect most authors to at least confirm a little that she’s really crafty and this is an act, or have a side story from her POV later. But no, all we have is Carmine’s realization that she’s putting one over on them – the act doesn’t drop even for the reader, and it could be that she’s really like that. I want to see more of her.
You really, really need to be prepared for the lead character to ramble on about military alliances and trade agreements for 250 pages. If that’s your cup of tea, and you don’t mind that Carmine is still too young to have this series get TOO harem-ey, this could be right up your alley.
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