By Chidori Hama and Wan Hachipisu. Released in Japan as “Akuyaku Reijō, Brocon ni Job Change Shimasu” by Kadokawa Beans Bunko. Released in North America by J-Novel Heart. Translated by Rymane Tsouria.
There are quite a few villainess books where I would describe the plot as performative, but Goodbye Overtime really leans into that. Ekaterina admits that these are real people that she loves and not just characters in a game, and also admits that she’s likely derailed things so much that the whole “doom” part of the game is not going to happen. But the monster from Book 2 shook her, and she remains panicked that if she takes her eyes away from things for one moment, everything will get back on the rails. I was startled to hear that she even saved one of the minor villainesses from a previous book, getting her a job as a maid (and the villainess is actually doing it well!) because she sees it as an inevitable future for herself. Ekaterina is very bad at seeing herself as others see her, but she’s also bad at confessing why she’s worried. At some point I think she’ll have to admit the reincarnation.
It’s STILL summer vacation, and after all her adventures across the territory last time, Ekaterina is back next to her brother and hosting events at her domain’s castle. The special guest is Mikhail, the Crown Prince, so all the red carpets are being rolled out. Flora is also there, and rumors are flying. Rumors are also flying about Ekaterina herself, and those rumors might be a lot closer to reality than she knows. Let’s face it, Mikhail is in love with her, Flora is in love with her, Vladforen is in love with her… and she’s completely incapable of seeing any of this, something all her love interests already know. She only has eyes for her brother, and he for her. Though thankfully, it’s made a little more clear that this is not romantic or sexual.
In any case, there’s a party, where they reintroduce a traditional dance her grandmother had banned, and a hunting party, where women are allowed to hunt again as her grandmother had banned that. Really, we see more evidence that her grandmother is simply terrible, though we are also rewarded with the idea that her father may have loved her mother more than she thought. We also see her almost enter into a contract with fairies, which underlines what the other nobles are saying – she may be gorgeous, and brilliant, and a pioneer in business, but she is painfully naive, and one of these days someone will get her away from Alexei and bad things are going to happen. (This is the second book in a row where she’s been spirited away from her main, and I suspect Mina is stressing out about this.
If you think this review is short on substance, the book is also pretty light. On the bright side, we’re finally heading back to school next time, and hopefully we can advance the plot. Though, like Bakarina, this is a series that relies very heavily on romance not happening despite everyone mooning over the heroine.
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