By Atekichi and Yukiko. Released in Japan as “Heroine? Seijo? Iie, All Works Maid desu (ko)!” by TO Books. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Michelle McGuinness.

If anyone still reads the site TV Tropes, there is a page devoted to what is known as a “Gambit Pileup”, where a storyline is derailed by multiple people who each have their own plan to take control of the narrative. This is frequently used for comedic purposes, but All-Works Maid really takes it to a higher level, as everyone is desperately trying to resolve the plot of the otome game they’ve found themslves in, only to see that Melody has solved everything, done every romantic route, and taken the main villain as her pet puppy. And that’s just in the first volume. This second one gives us an additional reincarnation from Japan, but also shows us that things have not completely been solved. The first villainess boss may now be Melody’s mistress, but the world still needs a first villainess boss, even if it has to use dark powers to create one. Worst of all, though, Melody has a crisis of faith. Maid faith.

We open back in Japan, where a grandmother in hospital, Maika, is talking to her granddaughter about a revival of an old otome game from years and years ago. Maika is upset, as said game was her obsession… until it took the life of her brother and his not girlfriend, who went missing in a plane disaster. Maika then goes to sleep… and wakes up as a little girl in a slum, completely confused. And then gets even more confused when her memories regress to her teenage self. Will she be able to find her brother and interact with the plot? Meanwhile, school has started and Luciana has made a friend… well, one or two. Most everyone else still seems to think of her family’s reputation first. And villain and love interest Bjork has to find a new jealous witch to make violently happy, and uses his knowledge of human behavior to do so. (I’m so sorry.)

The most interesting parts of this book are Melody and new character Micah (as she is spelled in this new world). Melody is at her best when using her talents to do things like resurrect an ancient temple with the power of horrifying magic, or accidentally resurrecting her mother into the spirit of an android maid (the latter is left vague). But at one point she’s asked “what is a perfect maid anyway?”, and trying to find the answer causes her to almost fall to bits, until she realizes how she can move forward and still be happy, even if it does disobey orders. As for Micah, she’s responsible for most of the funny bits in this book, as she goes from desperately trying to resolve plot points that everyone else resolved to simply screaming tsukkomi all the time. It’s good tsukkomi, I like her. I wish her well with her former savior turned evil possessed villain turned butler.

The ending promises we’re still not QUITE done with the main plotline, even if the Big Bad can’t decide whether to destroy the world or play fetch. Whatever he chooses, I’m sure Melody will effortlessly stop it. Very silly fun.