Diary of a Female Lead: Shujinkou Nikki, Vol. 2 | By Yuu Yoshinaga | Seven Seas – Teenagers are gonna be teenagers. Sometimes that means that you don’t really realize how hard the guy is crushing on you because you’re sure that a relationship can’t happen. And sometimes you decide to date a girl because she’s pretty nice, only to then have the girl you REALLY like accept your confession, meaning you have to show up to the date to dump her. This volume is less of a deconstruction of shoujo manga than the first one was, and more straight-up melodrama, complete with such cliches as “wow, she looks gorgeous without her glasses.” But the melodrama is well-written, and for those who love the shoujo genre, you’ll want to check this out, it’s good. Though… slow-paced. We’re not getting the main couple together soon. – Sean Gaffney
The Guy She Was Interested in Wasn’t a Guy at All, Vol. 2 | By Sumiko Arai | Yen Press – The characterization and yuri vibe in this is excellent, don’t get me wrong, and I love our two leads. But I have to admit, I’m almost 100% here for the art style, which is amazing—I want every panel in an artbook. Every pose looks calculated to make a reader go either “so cool!” or “so cute!” This series blew up before it even came out here at all, and since volume one it’s gotten bigger—the anime announcement being key, though expect a lot less Aerosmith, RHCP and Foo Fighters in the soundtrack, I imagine. Oh yes, and we also get the arrival of Joe’s ex, Kanna, who admirably fills the “strong adult woman role model” Mitsuki needs right now. A lot of this is getting Mitsuki out of her introvert closet… but will that work out for Aya? Fantastic. – Sean Gaffney
The Legend of Kamui, Vol. 1 | By Shirato Sanpei | Drawn & Quarterly – Ever since reading and enjoying Shirato’s spin-off manga Kamui Gaiden (previously released in English as The Legend of Kamui), I have wanted to read the original—an influential, monumental epic serialized in the alternative manga magazine Garo between 1964 and 1971. I was absolutely thrilled when Drawn & Quarterly announced that The Legend of Kamui would finally be released in English translation. The first massive tome of ten is now available, and it is phenomenal. A major theme is Shirato’s deft exploration of nature though the lives of wolves. But while woven together with the lives of the series’ human characters, Shirato cautions readers against drawing literary parallels between the two, however tempting. In large part, the series is also a social commentary, examining the highly feudalistic society of 17th century Japan as a way of critiquing human society in general. The critiques are potent and still pertinent, resonating strongly even today. – Ash Brown
Pet Shop of Horrors: Collector’s Edition, Vol. 1 | By Matsuri Akino | Seven Seas – I learned an important lesson this week: sometimes it’s better not to revisit old favorites. Pet Shop of Horrors was one of the first manga I read, sweeping me up in its fervid embrace with achingly pretty characters and exhilaratingly weird plot twists. Rereading the new deluxe edition, however, brought the series’ paper-thin characterizations and jarring tonal shifts into sharper relief. The running comic bits—in which Count D toys with Detective Orcot—are strenuously unfunny, bookending stories that run the gamut from icky to illogical. As monkey paw theater, Pet Shop of Horrors is OK, serving up a few genuinely unnerving stories that will stay with you after reading them, though you may wonder if the character really deserved their fate. – Katherine Dacey
A Smart and Courageous Child | By Miki Yamamoto | Tokyopop – Sara and Kouta are preparing to become parents, excited to welcome their first child into the world while understandably being a bit nervous, too. But as Sara’s due date approaches, her hopefulness fades in the face of worry and concern, realizing that the world can be a cruel and dangerous place for children, even for those who are smart, brave, supported, and loved. The artwork of A Smart and Courageous Child, utilizes colored pencils, mostly subdued tones with the exception of the carefully considered use of brilliant red. The result is striking—Yamamoto’s delicate illustrations are eye-catching while still maintaining a sense of softness. Yamamoto’s artwork also helps to skillfully convey the character’s shifting moods and feelings with both sensitivity and honesty. Overall, A Smart and Courageous Child is an affecting work that acknowledges the complexities of being a parent in today’s society as well as the associated mental and emotional turmoil. – Ash Brown
Spy x Family, Vol. 13 | By Tatsuya Endo | Viz Media – There is a LOT going on in this volume. We get the end of the Wheeler arc, where Fiona pays for her Loid obsession with a very broken body, but does not die, thanks (ironically) to training to be as strong as Yor. Yuri almost catches Twilight but does not, then almost catches Loid but does not. At least he gets a sempai at work who probably makes a better potential love interest than Fiona. And then there’s the old couple moving in next door, who seem like nice grandpa and grandma types, there for comedy (the grandpa can’t remember anything), but we know nothing is as it seems. The ending of the book has a cute story with Anya putting her name on the door, but she misspells it… and seems puzzled by that. Is there significance to ANIA? We shall see. A very solid volume, with lots of anti-war sentiment. – Sean Gaffney
This Monster Wants to Eat Me, Vol. 3 | By Sai Naekawa | Yen Press – Theoretically this volume is about the conflict between mermaid Shiori and fox spirit Miko, and how they’re both in love with Hinako and want to save her while also really wanting to BE the one to save her. Both agree, Miko more than Shiori, that regardless of their own feelings Hinako’s safety comes first, which is good. And certainly Hinako definitely seems to be in more danger… especially, for some reason, more recently. Their biggest obstacle may be Hinako herself, who simply cannot shake the constant feeling that she’s about to die, will be very happy when that happens, and hopes for a good life for those she leaves behind. Getting Hinako to value herself is a huge hurdle, and I hope they take it on going forward. Great stuff. – Sean Gaffney
Witch Hat Atelier, Vol. 13 | By Kamome Shirahama | Kodansha Comics – Why are there laws, and when is it best to break them? That’s the theme of this book, as Coco tries desperately to resolve this without executions, and also tries to explain why “witches aren’t allowed to do that” is not meant to be a hardcore, for-the-rest-of-eternity rule. Elsewhere, Tetia is finding that it’s very hard to run away from royalty who are attached to you, Richeh is reunited with her introverted and somewhat self-hating older brother, and Agott… will no doubt have more to do in the next arc. The best part of this is the climax, which results in the creation of a magical emergency room for magical triage, which can manage to use magic to heal people without having it intrude on what doctors do. Unfortunately, the arc isn’t over yet. Ominous cliffhanger. – Sean Gaffney
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