By Izumi Okido and Jyun Hayase. Released in Japan as “Rekishi ni Nokoru Akujo ni Naru zo: Akuyaku Reijō ni Naru hodo Ōji no Dekiai wa Kasoku suru yō desu!” by B’s-LOG Bunko. Released in North America by Yen On. Translated by Sarah Moon.

This is the 2nd book that’s been licensed from the imprint B’s-LOG Bunko, the first being The Princess of Convenient Plot Devices, also from Yen On, and with a very similar vibe. Taking a look at the Japanese publisher’s page, the imprint is rife with villainesses, disgraced nobles, and young women striking out on their own by opening shops, etc. For all that we complain about isekai harems and villainess books being the only thing that gets picked up these days, there’s certainly ten times more of it in Japanese. We’ve had so many villainess books, in fact, that here we actually get someone who seems to be basing her idea of the archetype from light novels rather than otome games. A typical “villainess” is a shallow, vain bully who exists to get banished and/or killed, to the joy of the reader, right? Why would anyone want to be that?

A Japanese woman gets hit by a truck, and wakes up as a 7-year-old, Alicia Williams, the villainess of the game … actually, I don’t think the title of the game is mentioned by Alicia. She’s delighted, though. She has always loved villainesses, who need to be strong, powerful and caustic so that she could be a perfect match against the pure young heroine. Alicia therefore does a 180 from the spoiled, selfish girl Alicia was before, and asks for sword lessons. She’s told to do 100 situps and 50 pushups first… and does so. Then she goes and reads 100 books a day in the family library. Oh dear. It’s not clear if this is just due to being reincarnated, but it seems Alicia is a Divergent, someone with super special abilities whose presence can change the world. And so the King decides that she’s going to help the actual heroine, Liz, who is, frankly, a bit too idealistic. Can Alicia do that, even though it might mean being hated? She can’t wait.

The author says they wanted to contrast the idealism of Liz’s heroine with Alicia’s pragmatism, and honestly, has stacked the decks against Liz. To its credit, Liz isn’t an idiot like some other Villainess books, and I suspect she’s not going to turn evil anytime soon. That said, the way everyone is taken with Alicia immediately as a child, then all fall for Liz and start to turn against Alicia later on, shows she’s using some sort of heroine power, though it’s unclear what. The most interesting thing here is that Alicia is five years younger than everyone, including Liz. This allows her to become super special in order to catch up, as she isn’t being told “that’s impossible” by anyone till after she does it. That said, be warned: there’s a lot of people falling in love with Alicia when she’s only 7-13 years old (there’s a 6 year timespan in this book), and the book ends with everyone looking forward to her being 15, which is legal in Villainesslandia. Sigh.

This got an anime, which I haven’t seen but which seems to have been “good except the animation quality”. It made me want to read more, creepy love interest obsession aside. That’s almost a given for shoujo these days. Recommended for genre fans.